SHATTERING THE OPPRESSED TROPE: ISLAMIC FEMINISM AND THE JOURNEY OF NAJWA IN ABOULELA'S MINARET
DOI:
https://doi.org/10.5281/g59wqw67Keywords:
Islamic Feminism, Minaret, Najwa, Post-Secular, Spiritual SurrenderAbstract
This paper examines where post-secular female identity, diasporic displacement, and faith-based agency come together in contemporary Anglophone Arab literature. It offers a close reading of Leila Aboulela's novel, Minaret (2005), using the postcolonial feminist and anthropological frameworks developed by Lila Abu-Lughod. For many years, mainstream Western liberal feminism has defined liberation for non-Western and Muslim women through an exclusively secular, Eurocentric lens. This view holds that genuine emancipation requires secular modernization, bodily freedom, and the rejection of religious tradition. As a result, women who actively embrace religious devotion, modest dress, and spiritual submission are often reduced to an Orientalist stereotype: the passive, victimized Muslim woman who lacks individual agency and needs rescuing from her own culture. By tracing the shifting social, economic, and spiritual path of Aboulela's protagonist, Najwa, who moves from a Westernized, unveiled, privileged life among the political elite in Khartoum to life as a hijab-wearing domestic worker in London, this article shows that her embrace of orthodox Islamic practice is a conscious, agential choice. Rather than treating her modesty and spiritual surrender as signs of defeat, this study draws on Abu-Lughod's critique of Western "savior" politics to show how Najwa's deliberate transformation challenges colonial binaries. The analysis examines how Najwa reclaims control over her body, sense of self, and movement through the world by finding a home within the global Muslim community (Ummah) and the physical and spiritual spaces of the mosque. Ultimately, Najwa's rejection of secular compromise and consumer culture validates faith as an independent source of empowerment. This article frames Minaret as an important literary intervention that broadens global feminist theory by showing that human agency can flourish outside a secular framework.
Downloads
References
Abbas, S. (2014). At freedom's limit: Islam, secularism, and the postcolonial novel. Fordham University Press.
Aboulela, L. (2005). Minaret. Grove Press.
Abu-Lughod, L. (2002). Do Muslim women really need saving? Anthropological reflections on cultural relativism and its others. American
Anthropologist, 104(3), 783–790. https://doi.org/10.1525/aa.2002.104.3.783
Abu-Lughod, L. (2013). Do Muslim women need saving? Harvard University Press. https://doi.org/10.6740/harvard.9780674088269
Ahmed, L. (2011). A quiet revolution: The veil’s resurgence from the Middle East to America. Yale University Press.
Badran, M. (2009). Subverting stereotypes: Islamic feminism: Essays from the nationalism to the global. Oneworld Publications.
Choudhury, S. (2025). Challenges of modern Muslim womanhood as a part of spiritual journey in Aboulela’s Minaret. Journal of Applied Linguistics and TESOL, 11(2), 112–125.
Ghazouli, F. (2001). Halal literacy: The fiction of Leila Aboulela. Al-Ahram Weekly, 562, 14–20.
Gökariksel, B., & Secor, A. J. (2009). New transnational geographies of Islamism, capitalism, and subjectivity: The veiling-fashion industry in Turkey. Area, 41(1), 6–18.
Hassan, W. S. (2008). Gender, religion, and political agency in Leila Aboulela’s The Translator and Minaret. Novel: A Forum on Fiction, 41(2/3), 309–325.
Hassan, W. S. (2011). Immigrant narratives: Orientalism and cultural translation in Arab American and Arab British literature. Oxford
University Press. https://doi.org/10.1093/acprof:oso/9780199792061.001.0001
Hunter, E. (2013). The post-secular novel and the problem of subaltern agency in Leila Aboulela’s Minaret. Journal of Postcolonial Writing, 49(3), 320–332.
Mahmood, S. (2005). Politics of piety: The Islamic revival and the feminist subject. Princeton University Press.
Mohanty, C. T. (1988). Under Western eyes: Feminist scholarship and colonial discourses. Feminist Review, 30, 61–88.
Morey, P. (2017). “Halal fiction” and the limits of postsecularism: Criticism, critique, and the Muslim in Leila Aboulela’s work. Studies in the Novel, 49(2), 204–223. https://doi.org/10.1333/sdn.2017.0021
Nash, G. (2007). Writing Muslim identity. Continuum.
Stanecka, A. (2018). The spiritual space of the diaspora: Leila Aboulela’s faith-centered feminism. Postcolonial Text, 13(3), 1–18.
Wadud, A. (1999). Qur’an and woman: Rereading the sacred text from a woman’s perspective. Oxford University Press.
Zidan, M. (2017). Reclaiming the gaze: The identity politics of the hijab in Aboulela’s Minaret. Arab Studies Quarterly, 39(4), 411–428.
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Urooj Ahmed, Mahnoor Haider, Kashaf Zulfiqar, Sanniya Sara Batool (Author)

This work is licensed under a Creative Commons Attribution 4.0 International License.
